LAFAYETTE ESCADRILLE —-a real disappointment from 1958, marked the bitter end of William A. Wellman’s stellar directorial career.  His personal salute to the fabled WW1 flying outfit he’d had been a member of was eviscerated from the Warner’s muckimucks, who changed the leading man from Paul Newman to Tab Hunter and gutted the production values.  The few flying and action sequences have zip for pizzazz (from the director of Wings, yet), while  the silly script focuses 90% of the 93-minute running time on a phony-baloney romance Hunter has with French import Etchika Choureau.

She’d featured in Wellman’s previous outing, Darby’s Rangers.  Her sauciness doesn’t make up for the sudsy blather, lame humor and anemic action.  Hunter fared much better the same year with the taut western Gunman’s Walk and the rousing musical Damn Yankees.  Etchika went back to France, got involved with the King of Morocco and faded into Trivialand.  Wellman, disgusted with the handling of the project and its reception, quit the business, a popgun fadeout for a legendary Hollywood maverick.

‘Wild Bill’ won the Croix de Guerre for his ace service in The Great War, dropping eight of the Kaiser’s planes, getting shot down himself.  He started out that fracas in the French Foreign Legion–where he’d ended up after a series of adventures, including being booted from high school after dropping a stink bomb on the principal’s head.  Hard-drinking escapades and romances in Hollywood tracked 39 years in the business, stamping his talent on The Call Of The Wild, Beau Geste, A Star Is Born, Nothing Sacred, The Ox-Bow Incident, The Story Of G.I. Joe, Battleground, Across The Wide Missouri, The High And The Mighty and Island In The Sky.

Don’t miss any of those, and don’t waste time on this fizzle, which was shot down to earth at 102nd place for the year, barely scraping $2,000,000.  Featuring Marcel Dalio, David Janssen, Paul Fix, Veola Vonn, Will Hutchins, Clint Eastwood, Tom Laughlin, Brett Halsey, Raymond Bailey, Jody McCrea and William Wellman Jr. (as his Dad). Okay score from Leonard Rosenman.